Earlier this month I was contacted by the good people at "Lindy's Sports Annual" (Baseball edition). I was asked if I would be interested in doing a couple of illustrations for their upcoming issue. Because I'm an adult and a professional, I answered with a polite, "Why, yes, I would be very interested in contributing illustrations to the next issue," or something equally polite and professional. But what I was thinking was, "BOOO YEAH!!! Let's get some baseball illustrations up in this his-ouse!" I have often had people cite my professionalism in a complementary way, but the outward signs of calm are just a way to not scare clients with my crazy excitement about all things drawing.
This time around, there were two illustrations. The first accompanied an article about the rivalry between the Giants and the Dodgers. Originally, this drawing was going to feature Matt Kemp and Pablo Sandoval arm wrestling, like so:
However, the concept was revised to show two fans arm wrestling instead. I didn't mind the change. When it comes to caricatures of actual living people, I have a harder time drawing the appropriate expressions. This has something to do with the photo references. If I can't find a photo of a person with the expression I need (anger, in this case), it's not so easy for me to hypothesize what they'll look like with said expression. This sometimes means I'll draw people with a mild version of that expression so that I can keep the likeness as close as possible. But that can end up watering down the drawing. The concept with the fans looked like this:
The second illustration goes with an article about the Baseball Hall of fame. Specifically, whether or not the judges would vote to admit Barry Bonds and Roger Clemens, given the accusations of their steroid use. Lo and behold (this has to be the most archaic expression around. I'm going to start using it every day when I point at things. "Lo and behold: Jack in the Box!"), the Sports Writers decided for only the third or fourth time in history not to admit anyone into the HOF this time around. Here's the Sketch:
Again, the caveat here is that I wish (as always), I'd had a little more time. But I love the final on this one. Except for the face of the guard. This is one instance where I can't tell you why. Not because it's a secret. I don't know why his face bothers me so much. But I LOVE the way Barry Bonds' and Roger Clemens' faces turned out. There's something about their expressions that make me laugh when I look at them.